When he stopped the motor, the disc spun down and it was yellow on one side, and blue on the other.
You might find playing with the LAB color scale in photoshop an interesting toy to see why a reddish green color has no sense. by adding red to green you end up on the gray side. basically the colors just neutralize each other.
Keep in mind that the red and green you’ll be mixing is not 100% color pigments, so it cannot merge into a dark grey.
So the different colours are all points in a 2-dimensional space. Each frequency corresponds to a given point in this space. If you plot all the frequencies from the spectrum they form a curve in this space, which is a semicircular shape. Red is at one end of the arc, and violet is at the other.
But the possible colour aren't just the ones on this arc. We can also see colours that correspond to mixtures of different frequencies. These fill in the inside of the semicircle, creating the full space of possible colours, which looks like this (https://pbbhandarkar.files.wordpress.com/2016/10/colorspace....). The spectral colours are on the arc around the outside, and all the colours on the interior can only be made by mixtures. The line joining red and violet is called the "line of purples". It joins violet back up to red to make a circle, but it consists only of mixtures rather than spectral colours. The spectral colours don't go around in a circle, just a semicircle. We need the line of purples to join it back up.
Given that, violet appears to be between red and blue in the same way the pitch of G appears to be between the pitches F and A.
https://upload.wikimedia.org/wikipedia/commons/5/56/Chimeric...
Humorously, Negativland, the amazing decades old plunderphonics group, had a whole prank site[1] and a Over the Edge[2] radio show[3] regarding the 'fourth primary color', Squant. This was also the only color with it's own smell as well. Negativland also had a plugin for web-browser that allowed you to 'see' this magical fourth primary color.
[1]https://www.negativland.com/archives/015squant/story.html
Zhang, Haimo, Xiang Cao, and Shengdong Zhao. "Beyond stereo: an exploration of unconventional binocular presentation for novel visual experience." Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. ACM, 2012.
http://www.shengdongzhao.com/wp-content/uploads/2012/06/chi2...
Does anyone have the same or a very different experience?
I imagine something similar would happen with your proposal, and possibly make people sick.
(Mixing vision between eyes is really interesting. My eyes are really different (one is good for close-up, one better for distance) so I have some experience with this.)
As with many things I have examined under a microscope, I didn't actually learn anything new, but it was still interesting to see for myself.
This article could use some serious copy editing.
Impossible colors are derived from the frequency-response curve of the three standard pigments in the retina. (There are people with 2 pigments and thus have a reduced color space, and people with 4 pigments who have an increased color space.) Since the pigments are not evenly distributed, the brain synthesizes some colors from incomplete information.
The dress problem stems from luminance-color correction in the brain itself. The eye has quite an amazing dynamic contrast ratio, but a much narrower static contrast ratio. If you have picked up on clues that the photograph was over-exposed in one way, your brain interprets that as a signal that the colors are washed out. If you have picked up on clues that the photograph is undersaturated, your brain says that the colors should be brighter than the pixels are. The photograph in question gave ambiguous clues.