1) Less is more. A) Write all you like, and then cut out all the stuff that doesn't matter. Like the way you just said the same thing 3 times in a row. B) The less you say the less someone has to argue with. The opposite is also true C) Stick to main points and save gory details for later, unless you're in the "Gory Details" section already.
2) Read your writing out loud. What looks great on the page might sound terrible aloud. If it sounds terrible aloud, then it'll be awkward for others to read, too.
3) Just write. Get the words onto the page. This is the hardest but most important thing. Don't pay attention to form, redundancy, spelling, grammar, or redundancy. Just get the words down. These so-called brain dumps will help you get expressive. Then you can edit the heck out of yourself as mentioned in 1 and 2.
4) Okay, a fourth. No matter what you write, read Steven King's "On Writing" to find out what it means to "kill your darlings". Epic book.
Close your eyes and start typing. Don't stop until you're done.
Then let the editing begin :)
1. Good writing is clear 4. Good writing is concise
Use a simple, reduced vocabulary, as your readers are likely to have English as a second language (e.g. https://www.bbc.co.uk/news/world-44569277). And as Richard Feynman pointed out, try explaining it to a child. If you can't go back and rewrite it.
Don't use (modern) slang, and avoid writing 'conversational' English.
It's "lessons" not "learnings". How much have you eaten? How many eatings have you had? Ugh.
Don't use 'ping' or 'reach out' (you're not the Four Tops).
And what on earth is "welp/whelp" that people have started using in the last couple of years? It's "well, for one thing..."
The rules change based on what you are writing, why, and to whom.
"Whelp" has a standard English meaning, but I suppose you might see it used to mean "welp" as well. I dislike this spelling, because in my experience, people who pronounce "whale" and "wail" differently also pronounce "whelp" (the dog one) and "welp" (resignation) differently, but I don't know if that is universally true.
>It's "lessons" not "learnings". How much have you eaten How many eatings have you had? Ugh.
Does the word "drinks" also bother you? (As in "How many drinks have you had?") (My previous comment about that: https://news.ycombinator.com/item?id=17020434)
And what about everybody including today's English PhDs incorrectly using plural "you" as singular you? The word "thou" was already the correct word for the singular and intimate relation. The famous song title should be "Thou Art My Sunshine" not the incorrect "You Are My Sunshine". :-)
https://english.stackexchange.com/questions/9780/did-english...
Does a language get to change and evolve at all? If yes, who should decide? A language committee or bottom-up crowdsource language speakers? When does the previous "incorrect and criticized" usage become "correct and accepted"?
No, but if you went to a pub and had several 'drinkings', then yes.
"Learnings" is incorrect.
> Does a language get to change and evolve at all?
Yes, and despite my dislike for "learnings" it looks like it is here to stay unfortunately. It's "business English", amplified by the internet. When I tell friends and family about "learnings" their response is, to put it mildly, "who are these idiots?"
Historical language evolution is towards shorter words, when those words are heavily used. Who knows how the Internet is going to change the language?
I think you'll appreciate Suzie Dent's twitter account: https://twitter.com/susie_dent
That's not what I said, there was a full stop, not a comma. I was applying Feynman's idea to writing, if you can't explain something simply in plain English, you really should rewrite it to reach a wider audience.
> I hate seeing advice like "use simple, reduced vocabulary".
Sure, and if articles are written 'normally', for people with English as a second language, that means that they will learn more English words when they encounter new ones.
However "I" is one person, and an author wants to reach the widest audience, with the lowest common denominator. I don't understand much German or French, for example, but an article written in simple German or French is much more accessible to me (the lowest common denominator).
Writing is about reaching all of your audience.
However, those sites have a captive audience: anyone smarter than the 'lowest common denominator' UK GOV target reader, any reader who might have appreciated a more concise and less 'hand-held' style, is going to keep reading anyway, because the information is important and non-negotiable.
Outside of that context, most pieces you might like to read were commissioned with maximum word-counts, varying levels of assumed readership skill and prior knowledge, and diverse other factors that defy any 'universal style-guide', such as TFA is trying to formulate.
For instance, I write about technology for a living. Those commissions have word-count restrictions that force me to either:
- Say less, so that I can maintain a level of English suitable for a moderately-skilled non-English speaker (As you can imagine, the editor does not want me to 'say less').
- Use more compressed and concise language that may be more challenging for the non-native reader (because concision can be antithetical to simplicity [and my editor also wants prose that is accessible to the widest number of readers without alienating the target demographic for that particular piece]).
- Write boldly and use footnotes and references to justify the claims I am making, because:
a) I don't have enough word-count for 'explainers' and 'box-outs'
b) I'm expected to deliver a lot of information, and
c) I'm expected to write in the simplest style available, depending on the intent of the commission.
It's bad enough that the dictates of SEO have dumbed down so much content from once-great news and analysis providers over the last ten years. Let's not support any further race to the bottom, but rather aim to write lean and information-rich material in a style that's matched to the readership.
[0] https://www.gov.uk/guidance/content-design/writing-for-gov-u...
That's a good link and states what I was trying to say:
"""Good content is easy to read
Good online content is easy to read and understand.
It uses:
short sentences
sub-headed sections
simple vocabulary
This helps people find what they need quickly and absorb it effortlessly.The main purpose of GOV.UK is to provide information - there’s no excuse for putting unnecessarily complicated writing in the way of people’s understanding."""
P.S: Fixed all the grammatical errors in the post.
> The character, 'hotel' has does an action 'wanted'.
which should be:
> The character, 'hotel', has an action, 'wanted'.
It also seems like you rely on a single source, Williams and Colomb (1990). Is this your personal summary of that book? Do you recommend reading it, or do you believe your post captures the most important points?
1. Fixed the mistake :) 2. Yes, totally recommend it. I've read a few books on writing and I think this is the best so far. The way the authors discuss the mechanics of writing is refreshing. It'll give you a good framework not just to write, but also to think. 3. This post encapsulates what I learned from the book and my experience to improve my writing skill.
The first paragraph communicates you've struggled with writing in the past, the second para says writing advice is often low quality, and the third paragraph explains the characteristics of good writing (hints at the thesis).
You could make a single thesis like this: "This post explains the characteristics of good writing and how I was able to improve my writing skills."
You could continue with "learning to write well was a great personal struggle, especially because writing training materials didn't help". That could also be considered a separate thesis for a different post.
Paragraphs like these can be made more concise:
> Most writers struggle to write well when the subjects use technical terms. Technical terms are confusing when they are not introduced properly. This technique is helpful when communicating complex information that requires technical terms. When you introduce complex information, design the sentence that it appears in, so that you can locate that term at the end.
Here's how you could reword it:
Technical writing is difficult, especially when the terminology is not properly introduced. It's best to introduce technical terms at the end of sentences.
Give it a read!
https://www.newyorker.com/magazine/2011/07/11/climbers-phili...
Discussed 4 months ago: https://news.ycombinator.com/item?id=23631027
-----------------------------------------------------------
The more I write, the more I realize that sentence structure matters, as does grammar, and even spelling, and also choice of words, which affects some readers for whom English is a non-primary language.
As I write more, I realize that sentence structure, grammar, and spelling matter. My choice of words is important because unnecessary complexity may negatively affect some readers.
-----------------------------------------------------------
It wasn't always this way. 50 years ago, it was common for sentences to be much longer. I often read stories to my wife that were written in the 50's, 60's, and 70's. They are personal accounts, not professional writing. Life stories. They quite often include sentences that take more than one breath to read aloud, because they are so incredibly long that they deplete me of oxygen before I can finish reading the sentence, which I do find quite difficult to read since I am now concentrating on my breathing instead of on the written word, which is not just awkward but also distracting.
YMMV.
> which can be simplified to:
> “Regular patterns of drought and precipitation coincide with cycles of sunspot activity”
> Not only the phrase “have been found” adds nothing to the prose, it also does not state the subject. Removing the phrase will make the prose above more concise.
This, and by leaving out the weasly "have been found" you take ownership of the statement, which forces you to be more careful and critical when citing other people's results.
"Jones (2018) showed that regular patterns of drought and precipitation coincide with cycles of sunspot activity."
Anyway, I really appreciate this kind of thing. There's too much bullshit writing and I'm glad someone is pushing back.
(Edited for clarity)
This is a good essay by Orwell, that's related.
"Politics and the English Language"
https://www.orwell.ru/library/essays/politics/english/e_poli...
The standard advice is to silence the internal critic and write. Of course, it's easier said than done.
I'm supposed to be writing a paper. I'm commenting on HN instead.
If the goal of your writing is clear, it's easy to make an outline once the mind map is done. If the goal isn't clear, start asking questions about why it isn't clear and expand the mind map until there's enough there to continue. Sometimes this requires research while constructing the mind map, especially for assigned academic writing. Tag pages with sticky notes or copy data with references into a large research doc as you go.
Once the outline is done, the rest is straightforward. An editor always helps if you can afford one, but you don't always need to agree with the suggested changes.
Shouldn't it be "struggled"? (Sorry, I had to.)
And this should be "could"?
* Good writing tells a story. Use characters and actions.
* String together cohesive prose using consistent topic strings at the beginning of a sentence.
* Put emphasis of new ideas at the end of the sentence.
* Be concise and with fewer words. Unnecessary to state with reader can infer.
Aside from that, I understand the OP’s pain in learning how to write. My initiation by fire in the craft of writing was when I supervised my first PhD. It was like like the labours of Sisyphus.
One principle I can add to the list of principles that is evolving here, if you think your book/thesis is finished, it probably isn’t. That is why God gave us Editors. Notice I have capitalized both God and Editors.
Three components... the third is A POINT.
Unless the path of the story's narrative promises to lead somewhere, the reader loses interest and stops reading.
However, it piqued my interest in the concept, and this article helped me get a little closer: https://unilearning.uow.edu.au/academic/3b.html
> A process called nominalization takes a perfectly spry verb and embalms it into a lifeless noun by adding a suffix like –ance, –ment, or –ation. Instead of affirming an idea, you effect its affirmation; rather than postponing something, you implement a postponement. Helen Sword calls them "zombie nouns" because they lumber across the scene without a conscious agent directing their motion.[0]
There is a lot more detail in his book "Sense of Style: The Thinking Person's Guide to Writing in the 21st Century"
[0]: https://stevenpinker.com/files/pinker/files/why_academics_st...
2. Because we know nothing about the local conditions, we could not determine how effectively the committee had allocated funds to areas that need the most assistance.
We can't tell if the committee spent wisely because we don't know our way around here.
You misconstrue "wise spending" with "allocating funds to areas that need the most assistance". The two are not informationally equivalent.
You leave out the information that you know nothing about local conditions. Presumably you've jumped to conclusions about what local conditions means.
And lastly, it must be pointed out that a perfectly valid interpretation of your version is that you were unable to form an opinion on the committees spending because you got lost in the carpark/ building/town...
I think one could arguably simplify the original further to:
"Knowing nothing about local conditions, we could not determine how effectively the committee allocated funds to areas needing the most assistance."
But it's very hard to move past that without fundamental information changing, and even my changes I accept are a little bit stylistically subjective, albeit with a marginally lower word count to convey fundamentally the same information.