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staticautomatic
4y ago
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Maybe, but crazy shallow DoF goes back at least to Kubrick famously shooting parts of Barry Lyndon at f0.7.
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cialowicz
4y ago
Barry Lyndon was shot with an f/0.7 lens because Kubrick wanted period-correct lighting: candlelight, which required a super fast lens with the film used. To my knowledge he wasn’t going for shallow DoF.
gannonburgett
4y ago
You are correct. This wonderful article taken from
American Cinematographer
goes over this very topic in great detail:
http://www.visual-memory.co.uk/sk/ac/len/page1.htm
kwhitefoot
4y ago
I just want to say thank you for that link; it was an inspiring read. I think it's time to watch Barry Lyndon again.
staticautomatic
OP
4y ago
Be that as it may, the DoF is unavoidable unless every shot is insanely tight.
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