In the pre-DAW days, "audio engineering" was a specific task and skill set that was quite distinct from "playing music". Many DAWs were created to assist with audio engineering, assuming usage by someone who understands that domain.
Fast forward to recent times, and there's some widespread belief that a DAW should be a tool for musicians, even for musicians who don't know anything (or at least, not much) about audio engineering. "I just want to record my ideas".
So then someone cooks up some relatively simple DAW-like application for such people. They start using it, and within a few weeks or months, they find themselves unavoidably learning something about audio engineering. They want more from the application, and within a relatively short period of time, they need and/or want the full DAW.
The same thing is happening, to a lesser degree in the podcasting/radio production world.
Suggesting that musicians weren't meant to (and shouldn't even be allowed to) use DAWs is beyond nonsensical. This holier-than-thou argument you're trying to make is baseless.
[1] https://twitter.com/JustinFrankel/status/1582430125941198848
Absolutely untrue. Since you used the word "every", I only need one example to disprove this. Geoff Emerick, the engineer for the Beatles "late" albumns, was not a musician. I could name dozens more, spread across decades. Susan Rogers, Prince's audio engineer: not a musician. Chris Lord-Alge ... not a musician. This is just so wrong.
> Every professional musician understands the basic concepts of audio production.
I know hundreds of professional musicians. Most of them know almost nothing about audio engineering other than a few buzzwords.
DAWs used to mimic mixing consoles, but increasingly do not (because their functionality has expanded into new realms not touched by mixing consoles). Plugins used to mimic hardware units, but increasingly do not (because (a) skeuomorphism comes and goes as a fashion statement (b) they do things never implemented in hardware).
Very, very few classical musicians interact with an EQ or reverb unit on a regular basis. Very few drummers ever use stomp boxes or EQ. Very few singers have any knowledge about mic or preamp technology.
Then there's this little chestnut:
> Every DAW has been developed by audio and software engineers who are also musicians
You don't appear to be aware of the fact that I am a DAW developer, and over the last 22+ years of being in the field have gotten to know (a little) the other people that you refer to. You're just wrong about this. Sure, most of the companies have audio engineers and musicians on staff, but most of the actual coders are not musicians.
Justin is probably one of the exceptions to the rule, although even he concedes that (a) he isn't a very good musician (b) he doesn't know that much about audio engineering. You can hear him say this on the 2.5 chat we had at http://adc.equalarea.com/2022/02/07/adc1/
I have no idea what I said that made you believe I was suggesting that musicians should not use DAWs. My point was that it is very difficult to design tools that work well for both musicians and audio engineers (unless they happen to be the same person), and that when you design one that works well for musicians, there's a tendency for it experience pressure to be more "engineer-y".
> there's some widespread belief that a DAW should be a tool for musicians [...] I have no idea what I said that made you believe I was suggesting that musicians should not use DAWs.
And the rest of your comment is more holier-than-thou nonsense, mostly baseless and not accurate to any reality that I've ever heard of, much less experienced.
> DAWs used to mimic mixing consoles, but increasingly do not
Except all of the buttons and faders and everything else still look the same. You're completely making things up, and even your made up things don't prove your point. No other DAW developer or audio engineer in the world would back up your claim that DAWs aren't meant to be used by musicians.
> I know hundreds of professional musicians. Most of them know almost nothing about audio engineering other than a few buzzwords.
I've met thousands of musicians in my life, and 90%+ of them understand the basics of audio production. The musicians you know can't be very professional if they haven't ever encountered a situation where they learned anything about audio.
> You don't appear to be aware of the fact that I am a DAW developer
Because apparently my work in the field is irrelevant and I couldn't possibly know anything, right? Every company developing DAWs is primarily engineered by musicians. Just because other non-musical engineers get involved, doesn't make my statement any less factual. There are other aspects to software development (even in DAWs) that don't have anything to do with audio. As "someone in the field," you should know that.
I've re-read Paul's initial post three times now and I'm still not seeing how you're interpreting the message of his post as "DAWs aren't mean to be used by musicians".
All he's said is that introductory products in the domain like Garageband (or perhaps Ableton's new app) initially start out as stepping stones for musicians who don't have an interest in the engineering aspect of things and that as the musician gets drawn into the discipline of audio engineering those apps become insufficient for their needs and they end up being drawn into full-featured DAWs.
He was simply highlighting an interesting problem that many musicians encounter as they dip their toes into the water of recording their music for the first time.
That aside, he very clearly refuted your three assertions:
1. That ALL engineers are musicians: His examples are correct (Though I believe CLA may be a drummer, if not a great one.) There are still plenty of other examples to draw on.
2. ALL musicians have a grasp of music production: His example of classical musicians is spot on.
3. EVERY DAW is developed by programmers who are musicians: I can't speak on this, but since he's a DAW developer, he'd sure as hell know a thing or two about that.
I don't know where you're getting this "holier-than-thou" attitude from. He's just having a conversation. There would be far less cause to refute your points if you didn't speak in so many absolutes ("All", "every").
Take a deep breath, man.
> there's some widespread belief that a DAW should be a tool for musicians
This means "usable by musicians who find themselves intimidated or confused by the interface on a modern full-service DAW such as ProTools or Logic". This means tools like those appearing for mobile devices that are just basically easy to use recording devices. You can see this plea daily on KVR, Gearspace and other similar places.
This does NOT mean: "musicians should not use DAWs".
> The musicians you know can't be very professional if they haven't ever encountered a situation where they learned anything about audio.
Classical performers: no need to learn about audio. Folk performers: no need to learn about audio. Live acoustic music performers generally: no need to learn about audio.
The set of musicians I was referring to includes two Grammy winners, who, just like many amateur and other professional musicians, have chosen to focus their attention on their music rather than the process of recording (or PA'ing) it.
> Except all of the buttons and faders and everything else still look the same.
Where was the last mixing console you saw that did stretch-to-fit-tempo? That ran arbitrary plugins? That allowed arbitrary anywhere-to-anywhere routing? That needed, somehow, to fit in information about editing state alongside the mixer interface? That could do clip launching? That had any editing component at all?
I work with one of the older mixing console companies, and we're constantly bumping against the boundaries of stuff that DAWs do that consoles do not, things that consoles do better than DAWs ever have, things that consoles do that DAWs do not, and so forth. I would say this sort of thing comes up in almost every weekly meeting. The same was true back in 2008/2009 when I worked with (for?) another old mixing console company and they were trying to understand how to reconcile their established products with the reality of DAW-based priduction.
> Every company developing DAWs is primarily engineered by musicians.
I could name several major DAWs whose lead and sub-lead developers are not musicians (or at least, do not consider themselves to be musicians). I could name a few others where the lead and sub-lead developers were not musicians or audio engineers when they began working on their software, but have become so over time.
I don't presume to know your background, and I certainly did not say that "couldn't possibly know anything". I just said that several things in your post I know to be factually incorrect.
