It’s romanticism that’s afraid to admit it and dresses itself up in dubious “reason” and “rationality”, which is why it always ends up seeming confused and self-contradictory and to be relying on a lot of magic to fill in the gaps.

This piece is better than some in that it at least makes the romanticism explicit near the end, but it’s burdened with the same self-conscious need to try to “prove” it’ll also make everything better in any terms one might choose, which is why these are all silly: they want to make believe that there aren’t meaningful costs or trade-offs for their romantic ideal. Nuance and shades of truth can’t be allowed, because they threaten the fake-reasoned rationalization for the romanticism, which romanticism is the point of the whole exercise, so cannot be threatened or alloyed, else they’d lose interest in it.