We're in truly unprecedented territory and don't really have an historical analogue to learn from.
Also, we told we were going into an age where anyone with $3000 for a PC/Mac and the software could edit reality. Society's ability to count on the authenticity of a photograph would be lost forever. How would courts work? Proof of criminality could be conjured up by anyone. People would be blackmailed left, right and center by the ability to cut and paste people into compromising positions and the police and courts would be unable to tell the difference.
The Quantel Paintbox was released in 1981 and by 1985 was able to edit photographs at film grain resolution. Digital film printers, were also able to output at film grain resolution, this started the "end of society", and when photoshop was introduced in 1990 it went into high gear.
In the end, all of that settled and we were left with, photographers just using Photoshop.
And I actually thought photographers were extinct a long time ago by every human holding a cellphone (little to no need to know about lens apertures, lighting/shadows to take a picture). Its probably been a decade since I've seen anyone hauling around photograph equipment at an event. I guess some photographers still get paid good money, but they're surely multiples less than there were 10-20 years ago.
The NLP (Natural Language) is the killer part of the equation for these new AI tools. Simple as knowing English or any other natural language, to output an image, an app or whatever. And it's going to be just like cellphone cameras and photographers, the results are going to get 'good enough' that its going to eat into many professions.
Computing has always been a generalist technology, and every improvement in software development specifically has impacted all the fields for which automation could be deployed, expanded the set of fields in which automation could economically be deployed, and eliminated some of the existing work that software developers do.
And every one one of them has had the effect of increasing employment in tech involved in doing automation by doing that. (And increased employment of non-developers in many automated fields, by expanding, as it does for automation, the applications for which the field is economically viable more than it reduces the human effort required for each unit of work.)
You might as well be worried the invention of the C compiler hurt jobs for assembly programmers.
Photoshop doesn’t take photographs, so of course it hasn’t displaced photographers. It replaced the “shop” but the “photo” was up to the artist.
The irony is, Photoshop can generate photos now, and when it gets better, it actually will displace photographers.
Every scenic view, every building, every proper noun in the world has already been photographed and is available online. Photographer as "capturer of things" has long been dead, and its corpse lies next to the 'realist painters' of the 1800s before the dawn of the photograph and the airbrush artists of the 50s, 60s and 70s.
However, my newborn hasn't, hot-celebrity's wardrobe last night outside the club hasn't, the winning goal of the Leaf's game hasn't, AI can't create photos of those.
And the conceptual artistic reaction to today's political climate can't, so instead of that artist taking Campbell Soup Cans and silkscreening its logo as prints, or placing the text, "Your Body is a Battle Ground" over two found stock photos of women, or perhaps an artist hiring craftspeople to create realistic sexual explicit sculptures of them having sex with an Italian porn star; an artist is just now going to ask AI to create what they are thinking as a photo, or as a 3D model.
Its going to change nothing, but be a new tool, that makes it a bit easier to create art than it has been in the last 120 years, when "Craft" no longer was defacto "Art".
I'm picturing something like as an intreraction I'd like to have:
"Hey, do you mind listening to this song I made? I want to play it live, but am curious if there's any spots with frequencies that will be downright dangerous when played live at 100-110dB. I'm also curious if there's any spots that traditionally have been HATED by audiences, that I'm not aware of."
"Yeah, the song's pretty good! You do a weird thing in the middle with an A7 chord. It might not go over the best, but it's your call. The waves at 21k Hz need to go though. Those WILL damage someones ears."
"Ok, thanks a lot. By the way, if you need anything from me; just ask."