That said, this particular argument you are advancing isn't getting so much heat here because of an unfriendly audience that just doesn't want to hear what you have to say. Or that is defensive because of hypocrisy and past copyright transgressions. It is being torn apart because this argument that artists deserve protection, but software engineers don't is unsound special pleading of the kind you criticize in your post.
Firstly, the idea that programmers are uniquely hypocritical about IPR is hyperbole unsupported by any evidence you've offered. It is little more than a vibe. As I recall, when Photoshop was sold with a perpetual license, it was widely pirated. By artists.
Secondly, the idea -- that you dance around but don't state outright -- that programmers should be singled out for punishment since "we" put others out of work is absurd and naive. "We" didn't do that. It isn't the capital owners over at Travelocity that are going to pay the price for LLM displacement of software engineers, it is the junior engineer making $140k/year with a mortgage.
Thirdly, if you don't buy into LLM usage as violating IPR, then what exactly is your argument against LLM use for the arts? Just a policy edict that thou shalt not use LLMs to create images because it puts some working artists out of business? Is there a threshold of job destruction that has to occur for you to think we should ban LLMs use case by use case? Are there any other outlaws/scarlet-letter-bearers in addition to programmers that will never receive any policy protection in this area because of real or perceived past transgressions?
Again, the argument I'm making regarding artists is that LLMs are counterfeiting human art. I don't accept the premise that structurally identical solutions in software counterfeit their originals.