Nothing feels really novel. Where the innovation is seems to focus on graphical realism, which of course I love.
I'm strongly attached to Kingdom Come Deliverance 2 and while I'm near the end of the game, I'm dragging my feet so I don't have to go back to the drawing board of sorting through endless terrible FPS and retro hack and slash games on Steam that don't interest me and are copies of 20 year old games.
Adventure games (the topic here) are my favorite though, and it's very rare that anything comes out. The Sierra and LucasArts days are over (RIP). That said a few gems come out here and there, like Lucy Dreaming.
The biggest, most advertised titles are often very good-looking and very "bubblegum", for the exact same reason that the most popular genres of pop are like they are. To appeal to the widest audience, you have to file off all the sharp corners, and if that's the market you see then modern games can seem soulless.
But that's not all of the market! No matter what genre you are interested in, there's probably more work ongoing in it and better games coming out right now that there ever has been in history. Most of them are less refined and sell a lot less than the mainstream games, but occasionally one succeeds well enough to expand past the small niche audience, which inevitably brings a lot more people into the niche, followed by imitators which grow the niche.
I'm not sure it's worth lamenting that the most popular games today tend to have addictive mechanics and otherwise little novelty. Clearly that's what people enjoy. If you are interested in experimental or avant garde games, then that stuff is still out there in the indie scene. Lots of them are bad games, but they still might be good ideas.
There's plenty of examples I am sure people can share on the thread, but here's one that comes to mind for me as interesting but not very fun: Bokida - Heartfelt Reunion. It's a gigantic monochromatic world with impenetrable puzzles and weird geometry that reminded me of those old freescape games like Driller. I don't think I enjoyed it very much but somehow I did play it all the way through and it still sticks in my mind today because no other game I played really did the same stuff. But, then, it's possible that that's just my subjective experience and for someone who plays Minecraft or something similar, Bokida was just derivative and forgettable? I dunno.
There's a lot out there, though. I think we're in a golden age of games! As a kid I could never have imagined having a literal "backlog" of dozens of games I've already bought but not even started yet because there's so much to play.
- Darren Franich, "Metal Gear Solid: The strangest great videogame franchise"
https://ew.com/article/2015/09/04/metal-gear-solid-strangest...
But adventure gaming never went away, it just became more and more of a niche. There are lots of high-quality amateur games, but there's been a steady tricky of high-quality "indie" commercial games since the '90s. I'd recommend Wadjet Eye Games' entire catalog: https://wadjeteyegames.com/games/
I think we've learned that creativity comes from constraints. Early computing platforms certainly were replete with that.
[0] https://www.metacritic.com/browse/game/ps5/all/current-year/... [1] https://www.metacritic.com/browse/game/xbox-series-x/all/cur... [2] https://www.metacritic.com/browse/game/all/all/current-year/...
Even just looking at "game uses 3D engine" we don't really have many great things. There's portal, and while some of the other stuff have promising ideas (like infinifactory), for all of them the controls tend to get in the way of fun.
For ease of use and fun pretty much all simulations - even as far back as the 90s - just using isometric projection are still unbeaten by attempts to go full 3D.
Jokes on me though, since now he can type at over 100 wpm (and uses dvorak)
I think the challenge of trying to make an "endless" game using an LLM is the same challenge that all procgen games face - they are boring for people who are seeking a well-paced narrative. There are players who enjoy the mechanics of looting/crafting/trading/etc who will gladly play games where the story is incidental or emergent, but if you're specifically looking for something with a bit more narrative depth, I'm not sure procgen will ever work. Even if there is a system that tries to project coherent storylines onto the generated world, you still need the player to do things that fit into a storyline (and not break the world in such a way that it undermines the storyline!), otherwise the pacing will be off. But if the system forces the player into a storyline, then it breaks the illusion that the world was ever truly open. So you can't have it both ways - either there is a narrative arc that the player submits to, or the player is building their own narrative inside a sandbox.
AAA games try to have it both ways, of course, but it's always pretty clear when you are walking through procgen locations and leafing through stacks of irrelevant lore vs when you are playing a bespoke storyline mission that meaningfully progresses the state of the world.
In this way I imagined in time a world larger and richer than any that had come before it—where you could really just keep going, keep playing, never see all of it.
LLMs are limited today, but one day they may be able to provide the well-paced narrative you're talking about. The LLM would be a skilled fiction writer that would introduce interesting events as I explore the world.
If I decide to go to a bar and talk to random strangers, it could give me interesting life stories to listen without any action. But, suddenly, a mysterious man walks in, gives me a sealed envelope and departs without saying a word... What is in the envelope?
You can do this with regard to a MUD too, but typically out of character and not every MUD would allow OOC chatting within the game world, as that is disruptive to those players who seek immersion.
It seems to me as if you may not have found a good roleplaying MUD back when you played MUDs. You may be missing out on that experience. I retired from playing MUDs about 11 years ago permanently, but the in-world roleplay was the only thing that was interesting to me since it was the creation of a unique storyline potentially involving many other playercharacters.
That is more like "computer tabletop", however, and doesn't scale beyond a small number of players.
It lost track of things almost immediately. But the foundation was there.
Maybe if we had a MUD-tuned model...
If it has an approximate way to track state, and a "pre-caching" method where it can internally generate an entire town all at once, room by room, so hallucinations are rarer... actually starts to sound like a traditional DM's method of world building for a campaign.
Maybe something like an LLM-assisted Inform (interactive fiction engine). https://ganelson.github.io/inform-website/
Side note: been playing Aesir, then the Aesir 2 MUD since 1994. It's still up!
In my experiment with ChatGPT, I was walking around in a museum (that was the scenario) and decided to flirt with a woman who happened to be there. The flirting was something I decided to do on the spot with no prompting from the AI. The woman had just been part of the room description up to that point. But it reacted to this new situation in a semi-realistic way, essentially creating a new "adventure" on the spot. I met her on the next day, brought a gift (and so did she), but then it started hallucinating... :(
I recently investigated text based adventure games in Python as a possible tool to teach and evaluate outdoor wilderness safety knowledge and awareness (backpacking and overnight camping) for wilderness therapy.
While doing the research I recalled a friend showing me a text adventure game on his i386 PC. I could not understand the appeal. The possibilities the game suggested were vast, but the effective actions were unattainable--I was not able to see even the most basic level of progress before I became bored.
Now, outlining the wilderness safety "game", its obvious to me some understanding of software and programming would have made the game accessible. Then maybe a key in a room would be better understood as a metaphor of the code. In other words, a game at text level can be an attempt to model a complicated problem in an interactive program. If you can write a game where the final product is convincing (suspend disbelief), then maybe the game's model can be useful for other things. In my case instruction and evaluation of basic domain knowledge. And this level of programming awareness is useful in not getting bored (or experiencing cognitive gap between what a text implies and what the game can deliver).
https://en.wikipedia.org/wiki/The_Hitchhiker%27s_Guide_to_th...
https://www.filfre.net/2013/11/douglas-adams/
For my money the "best" adventure game was and is The Hobbit, but that may well be because it's the first one I was haunted by.
Similar two-part writeup starts here :
In his book, Wonderland: How Play Made the Modern World, Steven Johnson applies this thesis to pretty much all the things. Enjoyable book, but the thesis probably does not hold up too much scrutiny.
This was peak 1986. A few years later and we’d be jumping a little pixel plumber on cathode ray tubes.
Can’t wait for the next part…
Sometimes it will even match what the prompt author intended.
Typing isn’t even required any more, but as a book of templates, there are more possibilities than the average LLM user can conceive of in the moment.
