"Kraftwerk: Future Music from Germany", by Uwe Schütte. It's packed with details of albums, songs, tours, equipment, and people.
The anti-nuclear message in "Radio-Activity" certainly came later and was repeatedly updated, right into the Fukushima era [2011], but this was not the original sentiment [1976]. From the book:
"At the time, Billboard magazine featured the most-played singles by the large network of radio stations under the heading 'Radio Action'. The band seemed to have misread or misremembered this as 'Radio-Activity'. 'Suddenly,' remembers Wolfgang Flür, 'there was a theme in the air, the activity of radio stations, and the title of 'Radioactivity is in the Air for You and Me' was born. All we needed was the music to go with it. ... The ambiguity of the theme didn't come until later.' Radio-Activity was intended to celebrate radio broadcasting as a convenient, easy and democratic means to listen to music and news."
I'm pro-nuclear as well, but understand that for many decades the "smart" thing to do was to oppose it. I wouldn't expect a musical artist to have a more nuanced opinion than most of their contemporaries.
Having enemies the population is afraid of is good for politicians and they'll take any enemies they can find, and they'll do so indiscriminately regardless of the real nuance of the issues.
Immigrants, abortion, this religion or that, rock music, jazz music, alcohol, marijuana, global warming, windmills, books... just whatever as hard as they can regardless of if it's reasonable or not.
The paranoia around nuclear power is tied to generational fear mongering of governments during the Cold War. The oddest part is why not use safer reactor designs; water reactors make sense for the US Navy and not on land.
1. Radioactive waste gets less toxic over time unlike many toxins like mercury, lead, and cyanide. People seem to emphasize the duration of toxicity for radiation while apparently giving 'forever toxins' a total pass.
2. Short-lived radiation is what's really dangerous. When atoms are decaying fast, they're shooting out energy that can cause real damage fast. Longer-lived radioactive stuff with billion-year half-lives like natural uranium can be held in a gloved hand, no problem. In the extreme, and infinite half life means something is stable and totally safe (radiologically at least).
Yet people still want to emphasize that radioactive byproducts of nuclear power have long half lives. I don't really get it.
> requiring custodianship on a timescale that humans can barely conceive of let alone commit to or execute responsibly.
This is fearmongering. Casing waste in big concrete casks is enough. It's so incredibly overblown that we're willing to burn coal and kill people over it.
The new live version refers almost exclusively to the former meaning, and adds "stop" to turn it into a protest song.
I've seen Kraftwerk live twice, at London's Albert Hall and Berkeley's Greek Theater, both times absolutely amazing. Highly recommended.
I've often thought they would be the ideal band to perform inside the "Sphere" in Las Vegas.
Over the next month, they will play in Ireland and UK, then Eastern Europe. https://kraftwerk.com/concerts/index-concerts.html
Germany has been pretty widely criticized for decommissioning it's nuclear power program, only to replace it with Russian oil.
with Russian gas.
Either way, Germany has perfected the efficient foot bullet, at least.
I could imagine Kraftwerk devising a stonkin’ “Fußkugel” track, actually ..
P.S
Also check out Ashra - Deep Distance (1976).
It was an amazing show, and incredible night.
Kraftwerk sounds novel even today, I can’t imagine how it must have sounded 50 years ago.
He was part of the original krautrock scene, being a member of the band Dom (see https://dom1972.bandcamp.com/album/edge-of-time , scroll down to the notes at the bottom). If I recall correctly, he went to school with some of the members of Kraftwerk.
Later, he because a particle physicist at CERN. When I was in grad school he was my thesis advisor, while I was doing a project on the measurement of... radioactivity.
And stumbled upon a documentary (in German) on Conny Plank: https://youtu.be/YD29GzjiSvw
Still as it was it must have been a tremendous shock to the hippies of the era. It was the sound of the future.
Even if you point out other synth-pop songs ("Popcorn" would be the most obvioous) of the era, Autobahn just doesn't sound anything like them. The biggest reason is that it doesn't work very hard at all to be a song. While there were plenty of people in that era who were not making "songs" (hey, prog rock, we love you!), their approach to that quest was entirely different.
Also, has anyone ever compared the cultural context and zeitgeist of both songs? Probably would be a fun high school assignment, haha. Kraftwerk's song came out in the same decade that the Club of Rome published its Limits To Growth report[2], so when fears about humanity's future really started to become A Thing that was impossible to ignore. Later versions of the song turning it into a protest song encapsulate Cold War fears for a nuclear apocalypse of the time (presumably, I wasn't really around yet back then).
The main audience for the Imagine Dragons song was a generation fully born after the fall of the Berlin Wall. One that grew up playing the Fall Out games. It also came out in 2012, right after the 2008 crisis kick-started the "oh the previous generation will leave us with nothing huh?" Doomer mentality among millennials and Gen Z kids. Remember the media going nuts over the "Ok, Boomer" expression for a while? (which still feels like the media intentionally dividing a community to stop it from actually fixing things me, tbh, but let's not get too side-tracked)
In that context, when put side by side the ID song almost feels like a Doomer generation follow-up and implicit critique of how nothing seems to have actually be done about to prevent the impending apocalypse that the Kraftwerk song's generation was supposedly so worried about, turned into a fantasy about living in that post-apocalyptic planet.
It's "vibe" is weirdly hopeful too, especially compared to the Kraftwerk song as well. Instead of fearing an apocalypse, it's set after one and embraces living within it.
At least, that's how the two songs come across to me, which probably says more about me than anything else. Apparently Dan Reynolds, main singer on ID and one of writers of the song, has said that in retrospect after almost a decade, he had realized that it was actually about him "not giving up hope after losing faith in Mormonism."[3]. Which makes sense as a personal experience of going through feeling doomed and figuring out how to survive and embrace living on in a "post-apocalyptic" world on a personal, social level.
I think that's what annoys me about the Kraftwerk song's status as a protest song, and a lot of other music from the same era: it doesn't feel like it's insisting on a better future. It's passive late 70s, early 80s pessimism.
[0] https://www.youtube.com/watch?v=w3viBe2Q0P8
[1] https://www.youtube.com/watch?v=NyXeJZJUFHE
[2] https://en.wikipedia.org/wiki/Club_of_Rome
[3] https://en.wikipedia.org/wiki/Radioactive_%28Imagine_Dragons...
The concert itself was a gift from Victor Pinchuk, one of the Ukrainian oligarchs and renowned patron, to the city. Previously he also sponsored a full-blown Elton John concert on the main city square which I also attended.
