> If you’re gonna steal a maze, you might want to try stealing from maze book #47, and do a horizontal swap on it before you rotate it 90 degrees.
"Good artists copy; great artists steal." -- someone a long time ago "UMMMMM, IT'S NOT ACTUALLY THEFT!" --you.
It seems clear to me that nothing of the sort of theft has happened, and at least some people would instead be flattered to have their work reproduced large scale instead of slinging accusations of theft. If it were me, I would use this to promote the value of my own work. Maybe I would try to talk to someone at Kraft before firing the lawyer cannons, perhaps just work out a deal where they give me some sort of recognition. Even recognising the copyright infringement, it seems to be on such small scale (one maze out of hundreds?) that it might be difficult to argue for damages incurred.
This person isn't flattered, but the language of "theft" indicates a graver damage than what actually has happened.
Is it because it isn't taking something without permission?
Is it because intellectual property isn't property in some sense?
Is it because the original isn't really "owned"?
Is it be because the owner still has the original?
Given similar reasoning, "identify theft" isn't really theft. After all, if someone "stole" my identity I'd still have the original.